Windycon Writers Workshop

We’re back! The workshop that refuses to die!

For nearly a quarter century, Windycon has hosted the Windycon Writers Workshop and we’re glad to be back this year. These are critique-session workshops, for short fiction or novel excerpts up to 7,500 words. The sessions include two other entrants, a moderator and at least two (hopefully three) pros. The sessions take place in the hotel, but away from the fray and con commotion.

The workshop is coordinated by Nebula Award-winning author and teacher Richard Chwedyk. The pros in past years have included Sue Burke, John O’Neill, E. E. Knight, Jody Lynn Nye, Bill Fawcett, the late Betty Anne Hull, Richard Garfinkle, among many others. We don’t know precisely who’s available this year, but they’ll be experienced, published authors and editors in the field.

Special for Windycon 50: workshop fees waived!

(You’ll still need to be a con member, of course)

Due to a generous anonymous donation, all workshop fees are being waived this year in honor of previous workshop pros who have passed away:

E. J. Shumak
Betty Anne Hull, Ph.D.
Larry Santoro
Clifford Royal Johns

And for Phyllis Eisenstein, who never participated in the workshop but has been a mentor, shining light and inspiration to so many writers, and who attended and supported Windycon from the very beginnings.

As mentioned above, you’ll still need a con registration to participate. Manuscripts should be submitted in a standard format.

Email your submission to rchwedyk@gmail.com (Word or .doc; preferred, but pdfs are fine, too).

Deadline for submissions is Friday, October 11, 2024. We reserve the right to reject any story or chapter that doesn’t meet the format standards.

Session slots are limited, so get your work in soon.

Questions? Email the coordinator at rchwedyk@gmail.com.

Former entrants have said…

“The Windycon Writers Workshop is a unique opportunity to get real, honest, professional feedback on your work from real, honest, professionals. Not only is it a fantastic experience to improve your writing, it’s a great way to meet fellow writers. If you’re serious about your writing, do not pass this up.”

“I’ve attended the Windycon Writers Workshop almost every year for the last five years and have never been disappointed. I’ve gotten great feedback every time.”

“The writing workshops at Windycon give aspiring writers a chance to participate in a dialog/critique with creators like themselves and writing/publishing professionals. Don't miss this magnificent opportunity!”

“The constructive feedback that I received from it convinced me of the importance of continually sharing and getting feedback on my work, even if I didn’t have to for class. It also left me feeling inspired to keep working, no matter what. I thoroughly enjoyed myself despite being nervous about critiquing other people’s work outside of class for the first time.”

“The bad news is nothing I ran through the workshop ever got published. The good news is I was shown why it didn’t get published, and that information allowed me to actually get a book deal. You may have to turn off your internal editor to get the manuscript finished, but to sell it you need to turn it back on. More importantly, you need a good internal editor - and that’s what I got at Windycon's workshop.”

“I was able to get a chapter of my novel to a variety of people to read and get their feedback on and that was really helpful, because it pointed out things, good and bad, that I missed. I also enjoyed being the one giving the feedback. I wasn’t sure I would at first (I wasn’t sure I could do it), but the more I read the stories sent to me, the more I got into it. It led me to think as an editor, which was interesting. I think it’s a valuable program for people breaking into the field or even for those already in it (who may need a bit of tune-up).”

“… I’m helping put together a critique workshop for another con. I’ll definitely be applying things I learned in your workshops to that!”

Other recent workshop participants have included:

Robert Hobson, Guild Literary Complex Award winner, Columbia College MFA candidate, published in Hair Trigger 35 and Stupefying Stories.

Elizabeth Shack, published in Daily Science Fiction, Plasma Frequency, and The Crimson Pact volumes Two and Four.

Alex Collier, fiction and poetry published in Cicada, Ideomancer, and on the Tales to Terrify podcast; Second Prize Winner of the 2014 Tamale Hut Café Writing Competition.